Tag Archives: literature

And now, the Conclusion

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It’s a game you can play all day.

  • First, choose a story – any story – from the gospels.
  • Look for all the metaphors in the story.
  • Note its allegorical elements.
  • Find either the myth from Jewish scripture and/or the part of Paul’s fantasy that the story is based on.
  • Read the story in light of these insights.

Once you’ve done this a few times – which you can, literally, till Kingdom come – you’ll realise that all the stories in the gospels are literary inventions. Stories that are replete with metaphor, reliant on earlier mythical sources and that read like allegory would be considered, in any other context, to be fiction.

And what will you conclude from this?

That just because the stories are from the gospels doesn’t grant them a free pass. Stories that fulfil all the criteria of fiction, as the gospel stories do, are elsewhere considered to be fiction: think Romulus, the non-canonical gospels, King Arthur, the Book of Mormon, the Chronicles of Narnia. So why not here?

That calling the stories ‘pericopes’, in an attempt to elevate their status, merely disguises the fact they are just stories.

You’d acknowledge that History, as in the recording of past events, is not written as allegory. It doesn’t depend on metaphor and symbolism to reveal hidden meanings. Historians reject or are highly sceptical of any accounts that depend on such literary techniques. They usually conclude these are not history, whatever else they might be.

You could, I suppose, try arguing that history in ancient times wasn’t the discipline it is now and did indeed incorporate elements from fiction. But you’d be wrong. Historical accounts of the first century have survived and do not confuse historical fact, however interpreted, with fiction. Writing that relies on allegory and hidden meanings is not considered to be history. You would then have to concede that the gospel narratives do not qualify as history. You would then be in agreement with the majority of scholars who think this.

Then you’d ask, why? Why, if Jesus was such an incredible guy, did so much have to be made up about him? You could, I guess, argue that an itinerant first-century preacher successfully manipulated events so that he fulfilled ‘prophecy’, complied, at least in Mark, with Paul’s (future) teaching and managed to make himself some sort of living breathing metaphor. Or you could conclude, applying Occam’s razor, that the stories are simply made up. And if you did, you’d be agreeing with Mark when he reveals that ‘everything is in parables’ (Mark 4:11).

You’d then ask yourself: if the miracles, the healings, the profundities, hyperbole, nativity tales, angels, demons, zombies, the transfiguration and much else besides are all fiction, then why not too the resurrection? Is it one of only a few episodes in the gospels – the crucifixion is often cited as another – that isn’t fiction? Is it the one of only a few stories in that’s factual and true? The empty tomb, the angels, the sightings by Mary, the disciples and Thomas, the fish breakfast, the ascension: are these historical when everything else is not? You’d have to ask on what criteria you were salvaging this particular story as historical when all that precedes it patently is not.

Then you’d have to start wondering if there really was a Jesus. The versions of him who appear in the gospels are constructs, characters created from metaphor, Old Testament stories and the teaching of the early Christian cult. If there really was a man who trailed around Palestine with an apocalyptic message, he is long gone. Indeed, he had vanished by the time the stories about him that we know as the gospels came to be written.

The Bible as Metaphor (again)

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A few days ago, Dennis and I visited Penrith, a small market town a short distance from the city where we live. What a delight it was to discover that the street preacher who plagues our city – the humourless Dale McAlpine – also inflicts himself on this smaller place. We so enjoyed hearing him bellow out, as we manoeuvered past his confederates handing out poorly written tracts, that we were all sinners – ye, everyone of us – bound for hell.

As we stopped at an ATM we heard Dale announce how Jesus healed lepers and cured leprosy, which patently he did not. He said Jesus’ healing of lepers was a metaphor for what he could do for us all, by removing our sin and making us whole again. His metaphor schtick – an sophisticated one for a simple street preacher – put me in mind of our very own Camp commenter. As Sunday school teacher Don frequently reminds us, the Bible is a) literature and b) largely metaphorical.

In case he’s forgotten and is arguing this week that we should view the bible’s stories as historical accounts (his other favourite tack), here’s what he actually said:

Much of scripture is the kind of literature in which metaphor and other kinds of figurative language is common… you are out of touch with the literary character of ancient literature.

I hope you all feel thoroughly chastised by this. I know I do. Don was taking exception to my post in which I itemised the Bible’s mythical creatures, talking animals and impossible events. So, I’m going to take him, and Dale at their word and take a fresh look at the Bible’s use of ‘metaphor and other kinds of figurative language’

First though, let’s understand that metaphor and figurative language are distinctly literary techniques. In literature and sometimes in speech, metaphors make subtle comparisons and bring to mind a host of associations that the author does not then have to explain. Outside of fiction, they don’t have much of a function. We don’t, for example, attribute metaphorical meaning to human events and interactions in the real world. The present war in the middle east is not a metaphor for something else, like, for example, the warfare that Christians believe rages in the Spirit world. Sleepy Joe Biden’s activity, or lack of it, is not a metaphor for the present condition of the USA (let’s hope not anyway). Our personal relationships are not metaphors for something grander. There is no metaphor embedded in actual events or real world interactions.

No. Metaphor exists almost entirely in literature. While the occasional non-fiction author might add a metaphor for flourish, strictly speaking, metaphor exists in and for fiction and poetry. More than this, when, in fiction, ideas are expressed metaphorically, it signals that the surface meaning is of lesser significance. It is the underlying or hidden meaning that matters. The fiction is the vehicle by which the metaphorical truth is conveyed. Don admits as much in his comment.

Let’s try some illustrations. The underlying metaphor of The Great Gatsby, its truth, is the dark underside of the American dream. Its surface story isn’t real; it is fiction. The metaphor conveyed through Moby Dick – the fictional whale as well as the novel as a whole – is the destructive nature of obsession. Again, as powerful as this is, none of the story that conveys it actually happened. Frankenstein’s central metaphor is the danger that uncontrolled science represents to humankind. The story that carries this message is, however, pure invention. In All The Light We Cannot See, Light is the metaphor, as it frequently is. The characters’ insights into truth are what the author seeks to convey. The fiction is the vehicle of that truth. Choose your own example: fiction embodies metaphor, the ‘truth’ of the story. But the story itself is rarely an actual event. Even when it’s based on one, as the movies say, the narrative is extensively fictionalised.

So, let’s go back to Dale’s leprosy metaphor. In several gospel stories, the authors have Jesus cure lepers precisely to illustrate how he can heal people of their inner leprosy: their sinful nature. Jesus almost certainly did not heal any lepers; this is the fiction. The creators of the gospels designed the story to carry metaphorical meaning, which, in this case, is that Jesus can heal us from sin.

Likewise the stories in which he heals the blind; the blindness is metaphorical. The saviour opens people’s eyes to spiritual truth. He didn’t really cure blind people; that is the fictional vehicle for the metaphor.

He didn’t turn water into wine; the writers of the fourth gospel wanted to convey the spiritual ‘truth’ that the new cult’s beliefs were superseding old Jewish ones; a metaphor was a memorable way to do it.

Lazarus was not raised from the dead; the story is a metaphor to illustrate how God will raise believers at the last day.

The Romans did not execute Jesus; it was the spiritual rulers of the age who, according to Paul in 1 Corinthians 2:8, put the saviour to death. The Romans are the metaphor for the wickedness of these supernatural beings.

Jesus did not rise from the dead. This too is a metaphorical fiction.

How did I do, Don? I’ve interpreted isolated periscopes from the gospels metaphorically. I’ve borne in mind that metaphor and other figurative devices are purely literary, techniques in fiction. I’ve channelled the literary character of ancient literature as defined by you (except of course you never actually do define it.)

You are invited to respond. I offer to post your comment, if it is as lengthy as I expect it to be. You must, however, keep to the point and resist making personal jibes. Choose any of the miracles, healings or pericopes from the gospels and demonstrate that they are real historical events.

It matters to you and to other Christians that the events of Jesus’ life did happen. That they’re not just the invention of clever writers who, taking inspiration from Jewish scriptures, created metaphorical events to convey higher ‘truths’. So persuade us that at least one miracle, healing or episode is more than a literary device, a metaphor for some fanciful theological ‘truth’. Provide the evidence that it really happened. Claiming the disciples witnessed the miracles or healing won’t cut it, when the disciples are themselves characters in the stories, and metaphorical at that.