
It’s a game you can play all day.
- First, choose a story – any story – from the gospels.
- Look for all the metaphors in the story.
- Note its allegorical elements.
- Find either the myth from Jewish scripture and/or the part of Paul’s fantasy that the story is based on.
- Read the story in light of these insights.
Once you’ve done this a few times – which you can, literally, till Kingdom come – you’ll realise that all the stories in the gospels are literary inventions. Stories that are replete with metaphor, reliant on earlier mythical sources and that read like allegory would be considered, in any other context, to be fiction.
And what will you conclude from this?
That just because the stories are from the gospels doesn’t grant them a free pass. Stories that fulfil all the criteria of fiction, as the gospel stories do, are elsewhere considered to be fiction: think Romulus, the non-canonical gospels, King Arthur, the Book of Mormon, the Chronicles of Narnia. So why not here?
That calling the stories ‘pericopes’, in an attempt to elevate their status, merely disguises the fact they are just stories.
You’d acknowledge that History, as in the recording of past events, is not written as allegory. It doesn’t depend on metaphor and symbolism to reveal hidden meanings. Historians reject or are highly sceptical of any accounts that depend on such literary techniques. They usually conclude these are not history, whatever else they might be.
You could, I suppose, try arguing that history in ancient times wasn’t the discipline it is now and did indeed incorporate elements from fiction. But you’d be wrong. Historical accounts of the first century have survived and do not confuse historical fact, however interpreted, with fiction. Writing that relies on allegory and hidden meanings is not considered to be history. You would then have to concede that the gospel narratives do not qualify as history. You would then be in agreement with the majority of scholars who think this.
Then you’d ask, why? Why, if Jesus was such an incredible guy, did so much have to be made up about him? You could, I guess, argue that an itinerant first-century preacher successfully manipulated events so that he fulfilled ‘prophecy’, complied, at least in Mark, with Paul’s (future) teaching and managed to make himself some sort of living breathing metaphor. Or you could conclude, applying Occam’s razor, that the stories are simply made up. And if you did, you’d be agreeing with Mark when he reveals that ‘everything is in parables’ (Mark 4:11).
You’d then ask yourself: if the miracles, the healings, the profundities, hyperbole, nativity tales, angels, demons, zombies, the transfiguration and much else besides are all fiction, then why not too the resurrection? Is it one of only a few episodes in the gospels – the crucifixion is often cited as another – that isn’t fiction? Is it the one of only a few stories in that’s factual and true? The empty tomb, the angels, the sightings by Mary, the disciples and Thomas, the fish breakfast, the ascension: are these historical when everything else is not? You’d have to ask on what criteria you were salvaging this particular story as historical when all that precedes it patently is not.
Then you’d have to start wondering if there really was a Jesus. The versions of him who appear in the gospels are constructs, characters created from metaphor, Old Testament stories and the teaching of the early Christian cult. If there really was a man who trailed around Palestine with an apocalyptic message, he is long gone. Indeed, he had vanished by the time the stories about him that we know as the gospels came to be written.
